A different path to being a war correspondent aka the woman on the spot

The Great War provided new opportunities for women journalists.*

No women received official press accreditation with the American Expeditionary Force (AEF) during World War I, but a number of female journalists reached the front as “visiting correspondents.” Soon after the war began, the Saturday Evening Post, which had the largest circulation of any American magazine at the time, sent popular novelists Cora Harris and Mary Roberts Rinehart to Europe as reporters. (Rinehart was the first journalist to visit the frontline trenches.) Freelancers, veteran newspaperwomen, reporters for women’s magazines like Good Housekeeping and Ladies’ Home Journal, and journalists with assignments from general interest magazines, like Scribner’s and Collier’s, followed in their footsteps.

At the same time, two women who were already reporting from Europe, May Birkhead  of the New York Herald and Carolyn Wilson of the Chicago Tribune, added war correspondent to their job description. Both wrote society and fashion news from Paris before the war.**

May Birkhead's passport photo from 1916. Birkhead's face is shaded by a large hat, proving that unflattering photos for official documents are nothing new
Birkhead, a seamstress who stumbled into a thirty-year career as a journalist with a firsthand account of the sinking of the Titanic, wrote feature stories about the war and later reported on the Versailles peace conference. She earned a commendation from General John Pershing for her work.

newspapeer clipping with a picture of Wilson looking over her shoulder and the caption "Back From War and Cell of Spy"
Wilson, who continued to write her illustrated fashion column throughout the war, filed thoughtful political analyses, human interest stories about American soldiers in the trenches, and reported pieces from both sides of the front. The Tribune described her war reporting as “the news of the battle front as a woman sees it.” She became the subject of the news rather than a reporter in 1915, when she was briefly imprisoned in Berlin on suspicion of espionage.

(To my surprise, another Chicago Tribune reporter followed Carolyn Wilson’s path in World War II, though with somewhat less verve. Anne Bruyere, like Birkhead and Wilson, was a fashion reporter in Paris when the war broke out. While she did not make it to the front, she reported on conditions in occupied Paris and later on the experiences of American soldiers, WACS, and Red Cross volunteers in liberated Paris—all the while reporting on French fashion.)

 

*If you want to dive more deeply into this topic, I highly recommend Chris Dubbs’ An Unladylike Profession: American Women War Correspondents in World War I

**This type of writing is a type of foreign correspondence in its own right though it is seldom treated as such, precisely because it was aimed at women and therefore not to be taken seriously

My publisher is giving away 25 copies of The Dragon From Chicago on Goodreads. You can sign up here through July 4. Good luck!

 

 

 

Anne O’Hare McCormick: “Freedom Reporter”

Black and white photo of Anne O'Hare McCormick seating at a table, which is covered with maps

Like Sigrid Schultz,  Anne O’Hara McCormick (1880-1954) became a foreign correspondent because she was in the right place at the right time.

She already had experience as a journalist before she became a foreign correspondent. After her graduation from a private Catholic high school in 1898, she went to work for the Catholic Universe Bulletin in Cleveland, Ohio, , where she rose to the position of assistant editor.

In 1910, at the age of thirty, she married Francis J McCormick. Francis was a wealthy engineer who imported large equipment based in Dayton Ohio who traveled extensively in Europe for his job. Anne went with him.*

Like other working women of the period, Anne left her job when she got married,** but she continued to write occasional pieces on a freelance basis which appeared in magazines like Catholic World, Atlantic Monthly, and The Saturday Evening Post. In 1921, after a piece of hers titled “New Italy of the Italians” ran in the New York Times Book Review and Magazine, Anne, wrote to Carl Van Anda, managing editor of the Times, asking if she could write news stories for him from Europe. His answer: Try it.

Try it she did. Her first regular by-lined article appeared in the Times in February 1921: a piece about Sinn Fein titled “Ireland’s ‘Black and Tans’.” Anne  soon became a regular freelance correspondent for the Times. (The paper’s publisher, Adolph Ochs, refused to hire women as staff correspondents.) Her lack of a staff position proved to be a blessing of sorts, Unlike staff foreign correspondents, who were assigned to a specific location, Anne was free to travel as dictated by her interests, or Francis’s business assignments.

Small, matronly, soft spoken and charming, Anne used her networking skills get interviews with any one who mattered, including Chamberlain, Hitler, Mussolini, and Roosevelt—even without the credentials of a staff correspondent. She occasionally covered a breaking news item, but for the most part she wrote in-depth think pieces for the Times' magazine that ranged in subject from political analysis—she was one of the first to predict Mussolini’s rise to power—to a comparison of street lighting in different European cities and what the differences said about them. She wrote stories about developments in the United States as well as in Europe, most notably pieces on the Florida real estate boom in 1925 and the “New South” in 1930.

In 1936, after Ochs’ death, his successor made her a full-time salaried “freedom reporter.” Her assignment was to travel the world and write three world affairs columns each week, reporting on conditions in places where she believed freedom was threatened. He also made her a member of the Times’ editorial board, a position she held until her death in 1954.

In 1937, she became the first woman to receive the Pulitzer Prize for journalism for her dispatches and feature articles from Europe.***

She continued to report from abroad after the United States entered World War II. When the war ended, she served as a UNESCO delegate in 1946 and 1948.

 

*I spend a lot of time considering whether or not to call the subjects of my work by their first name.  In the case of Sigrid Schultz, I chose to use her last name once she was an adult because I was uncomfortable first-naming her while I called her male colleagues by their last names. Since there are two McCormicks here, I have opted for Anne and, to the extent that he appears, Francis.

**Often they didn’t have a choice. Many employers refused to allow married women to remain on the job. (As I have pointed out before, this did not apply to women working as household servants or other working class jobs. It is all too easy to view the history of women at work through the lens of the middle and upper class experience.)

***She was not, however, the first woman to win a Pulitzer. That honor belongs to two sisters, Laura Elizabeth Richards and Maude Howe Elliott, who collaborated on a biography of their mother, Julia Ward Howe. They were awarded the very first Pulitzer in biography in 1917.

My publisher is giving away 25 copies of The Dragon From Chicago on Goodreads. You can sign up here  through July 4. Good luck!

Lady Florence Dixie, the First Woman War Correspondent. Sort of.

 

For the next two months, as the launch date for The Dragon From Chicago (1) hurdles toward me, it’s going to be women journalists all the time here on the Margins. (It is perhaps not surprising that I “met” a number of them over the last four years.)

First up, Scottish writer, traveler and feminist Lady Florence Dixie (1855-1905)

Engraved image of Lady Florence Dixie sitting on a horse and wearing a Victorian riding habit,

Lady Florence Dixie first came to my attention while I was reading Candice Millard’s Hero of the Empire. Millard mentioned in passing that Dixie was the first woman war correspondent. I had a “wait, what?” moment. But I was deep in the throes of writing The Dragon From Chicago and I resisted the temptation to go down the research rabbit hole. (2)

Once I had a moment to circle back I learned that Dixie’s stint as a war correspondent was only a small incident in an event-filled life.

After a tumultuous childhood, (3) the 19-year-old Lady Florence married Sir Alexander Beaumont Churchill Dixie, known as “Sir A.B.C.D.” or Beau. They shared a love of adventure and the outdoors. Their travels together provided Dixie with material for several of her books. (4)

Although Dixie wrote popular novels for adults and children, many of which dealt with women and girls and their positions in society, she is best known for her bestselling travel books, Across Patagonia (1880) and In the Land of Misfortune (1882). Like her better known counterparts, Isabella Bird and Mary Kingsley, she presented herself as the protagonist of the stories in which documented her travels. (5)

In Across Patagonia, she told the story of her 1878 trip to Patagonia, with her husband, her brothers, and their friend Julius Beerbohm. They traveled some 1000 kilometers on horseback over a period of 60 days. In her account of the expedition, Dixie appears as a heroic adventurer, who meets the trials of the road with resilience: as she describes it she (and her companions) were “nearly starved…almost smothered in a pampas fire, badly shaken by earthquakes, forced to wade knee deep through rivers and sleep in the open with a saddle for a pillow.” She not only holds her own with her male companions in physical terms, she also takes on Charles Darwin on the intellectual plan. Darwin had claimed that the Tuco-tuco of Patagonia were nocturnal animals that lived almost entirely underground. Lady Florence had observed the small rodents in daylight hours, and wrote Darwin to tell him so. She later sent Darwin a copy of her book, in which she described her observations.

Dixie’s account of her Patagonia adventures, inspired Algernon Borthwick, the editor and owner of the Morning Post of London to hire her in 1881 to report on the First Boer War. When she landed in Cape Town, she learned that the war was over. Her first dispatch reported details of the peace treaty.

Dixie spent the next six months traveling through South Africa with Beau and reporting on the causes and consequences of the conflict. She described later her experiences in Africa in In the Land of Misfortune and A Defence of Zululand and its King.

In addition to her work as an author, Dixie was an active proponent of women’s equality. She advocated not only for women’s suffrage but for changes in marriage and divorce laws and the rules governing succession to the British crown. An enthusiastic sportswoman, she was the first president and an active promoter of the British Ladies Football Club

 

(1) You’ve heard it before: The Dragon from Chicago is available for pre-order wherever you buy your books. Unless you buy books solely at used bookstores and library sales. (No judgement. I’ve been known to come away with armloads of books from both.) If you want a signed copy, you can get one from my local independent bookstore: https://www.semcoop.com/dragon-chicago-untold-story-american-reporter-nazi-germany . Be sure to requested a signed copy, with details about how you want it signed, in the special instructions box. (Because several people have asked: they ship.)

(2) Something I seldom manage. In this case, I trusted that Candice Millard knew whereof she spoke and that Lady Florence would be available when I had more time.

(3) Among other things, she and two of her siblings were the subject of a child custody case between her mother, who was the widow of the 9th Marquess of Queensbury, and the children’s legal guardians after Lady Queensbury converted to Catholicism.

(4) Due to Beau’s drinking and gambling problems, the couple were sometimes referred to as “Sir Always and Lady Sometimes Tipsy.” Despite the lightheartedness of the nickname, Beau’s gambling added an element of financial insecurity to their lives that may have made her writing more than an engrossing hobby.

(5) I am shocked to realize that I have never written about the phenomenon of Victorian women travel writers. It is a fascinating and complicated subject. As a group, their works reject Victorian mores as applied to themselves but fail to examine the underlying racist and imperialist ideas of their times. With any luck I’ll circle back to this subject come the fall.